Bob Chapek is out and Bob Iger is back in! What does this mean for the future of Disney? We don't have the answers, but we have lots of questions!
Disney's latest financial results lead us to ponder where we are in the dramatic change from old-school media to the streaming world. Also, Warner Bros. Discovery claims to have all its franchises in order, but that doesn't seem remotely realistic.
Peacock pivots, Netflix gets to know itself, "Doctor Who" is on the move, "Andor" teaches some important lessons, and Sports Corner returns!
Is "Monster: The Jeffrey Dahmer Story" the real winner of this fall's battle between Dragons and Elves? Also: Netflix opens itself up to ratings, Sports Corner covers Apple's negotiations with the NFL, and we discuss the merits of Paramount and Hulu.
An accidental Sports Corner, understanding Peacock's slow growth, EPIX becomes MGM+, a "House of the Dragon" / "Rings of Power" check-in, Apple's "Luck", Julia and Parrot provide data to creators, and a listener explains Canadian TV quirks.
Julia's under the weather, so Jason asked our editor, Steven, to join him to talk about Amazon's NFL broadcast, Apple TV+ exclusivity of MLB record-breaking games, the insolvency of Bally Sports, and the mystery of NFL Sunday Ticket.
"The Rings of Power" has arrived, but do Amazon's viewing numbers mean anything? Also: Netflix's weird identity crisis, NBC might give up its 10pm time slots, the difficulty of making sitcom hits, and your letters!
We discuss what the House of the Dragon premiere means for HBO, how Netflix judges the success of "The Sandman" and other shows, the business reasons behind Warner Bros. Discovery's cuts, and why Sony is sitting pretty without its own streaming service.
The big story in streaming is Warner Bros. Discovery and David Zaslav's cuts, cancellations, and the merger of HBO Max with Discovery+. Julia and Jason break it all down.
Jason and Julia answer your letters. So many questions! We discuss live TV on Apple channels, merger mania, niche streaming, valuable hot-dog streaming rights, "it's just an eight-hour movie", and tactical release times.